How To Do Setting Display and Cursor Preferences in
Adobe Photoshop CS
I
cons are all over Photoshop. They enable you to quickly pick and choose from
a wide array of editing options. In the Display & Cursor preferences dialog box
you can choose whether to show channels in color, double the pixels of your
images, or use dithering. You can also specify what icons you would like to see
while editing an image.
1. For Macintosh users, go to the Photoshop menu and select
Preferences ➪ Display & Cursors (see Figure 3-1). For Windows
users, select Edit ➪ Preferences and select Display & Cursors. If you
are in the dialog box from the previous task, you may select Display
& Cursors from the drop-down menu at the top of the dialog box.
Figure 3-1: Accessing the Display & Cursor preferences dialog box
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2. In the Display and Cursor preferences dialog box (see Figure
3-2),
under Display, you can colorize each channel component. To have a
channel reflect the color it represents, select Color Channels in
Color, instead of the default gray-scale representation in the color
channels.
3. If you want to dither colors that your video card cannot render properly, select Use Diffusion Dither. Diffusion dithering is a method to
position multicolored pixels in a scattering effect so as to simulate
colors.
4. To speed up preview modes or command tools, select Use Pixel
Doubling. The image resolution is halved by doubling the pixels, giving the image a temporary blurry effect that lasts until the preview
mode or commands are finished.
notes
• The only real benefit of
changing the channels to
reflect the color is that it
might help you realize
which channel you are
operating in. However,
keeping the channels set to
gray-scale enables you to
see the tone of the color
more easily: White areas
represent portions of the
image where the color is at
full opacity and the area
where it is black is the
absence of that color.
• The only time you might
need to select Use
Diffusion Dither is when
you have a cheap video
card on your system or an
old laptop. Hopefully that
will never happen to be you.
• While pixel doubling does
speed up the preview of an
image, it might not be to
everyone’s liking due to the
jarring effect of having part
of your image blurred out.
Most computers powerful
enough to run Photoshop
will have enough processing power to render the
file nicely.
Figure 3-2: The Display & Cursor preferences dialog box
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5. Under Painting Cursors you can specify the type of cursor
Photoshop displays when you are using the painting tools. These
tools include the brush, pencil, art sprayer, color replacement brush,
history and art history brushes, eraser, healing brush, rubber stamp,
pattern stamp, smudge, blur, sharpen, dodge, burn, and sponge tools.
You have three options: Standard, which uses the icon of the current
painting tool; Precise, which resembles a cross-hair with a small target
pixel at its center; and Brush Size, which indicates the size of the
brush currently selected as shown in Figure 3-3.
Figure 3-3: The paintbrush set at 100 pixels overlaps the image window.
In this predicament, you should resize the window and continue painting.
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6. Under Other Cursors you have two options: Standard and Precise.
This option controls cursor appearance for the non-painting tools,
which include the marquee, lasso, polygon lasso, magic wand, crop,
slice, patch, eyedropper, pen, line, paint bucket, gradient, magnetic
lasso, magnetic pen, measure, and color sampler tools.
tips
• Select the Brush Size as
your painting cursor. The
outline you get when painting provides a visual indicator of the brush size you
are using. The other brush
sizes do not give you this
kind of helpful clue, which
may come in handy if you
accidentally pick a 400-
pixel-sized brush.
• While using a tool in
Photoshop, press Caps
Lock and the precise cursor
appears. Press Caps Lock
again and the tool icon
pops back.
cross-reference
• Having the right cursor at
the right time in production
work can make digital
imaging go faster. If you
want to see how shortcut
keys can make your work
go faster, check out
Task 21.
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